I can't help falling in love with bright coloured veggies. I bought a bunch of beetroot so fresh and beautiful at the farmer market one weekend and found my mood going wild with the colours of this proud creature. Why on earth is there such a creature fully endowed with good qualities and beauty like beetroot? Look at its juice:
Only one ridiculous thing about this heavy colour is it is very hard to wash it away from your hand after you play hard with it :) I'm kidding ain't me?
Evidently it is a dye robust enough to induce a new hue and to transform your taste of colour:
There was a long way from its original colour to where it became to in my dyed rice, which taught me the lesson of heat, proportion and cooking time in cooking.
I also learnt about "reaction" colours when making the cupcakes. The juice and icing sugar plus butter became more pinkish at first than after being put on the cupcake.
It is this hue and the process it transforms that is keeping inspiring me.
Sunday, 17 June 2012
Thursday, 17 May 2012
They fly me high

Kids come into being to raise up a mum. And a mum cook would need her kid to reshape her outworn view of food and food making: simplicity, purity and originality. Wear a child mind and look at things with a child lens, you would agree with her cooking is to transform your heart and your soul.
Sunday, 1 April 2012
What baking means more to me
I have deserted this blog for a pretty long time. The more reading I do (my most occupied job) the more I find myself nothing, or less than nothing. A negative feeling has been overwhelming me, and I wonder if i should go on with blogging, something I am both passionate about and nerve wracked due to a blog's publicity. It's somehow embarrassing you know when you are so immature and would like to do things beyond your ability.
Anyway, munching on the sorrow would not drive me to anywhere and yet munching on my first time home baked cakes would hopefully capsize the situation.
(Savoury gateau)
(Chocolate buttery gateau)
(Broccoli bread)
Anyway, munching on the sorrow would not drive me to anywhere and yet munching on my first time home baked cakes would hopefully capsize the situation.
These days, I find myself the kind of person who would like to do something different to drive me out of the status of weak capability, and when I am hungry and thirsty for that kind of food-for-well being, I turn to mixing and dough kneading, which is good to burn out all excessive energy ran for negative thinking. I put any materials I find in my home for experimental recipes, things like chicken shred, carrots, broccoli, onions, and my son's chocolate leftover, which turn out to be resourceful for creativity, the luxury of a psychologically tired person. Baking this way is not really a way to act out an art or that kind of thing but a truly way of stress busting. That is another meaning I find in baking. At least, my baking can however bring a great pleasure to my big boy and my little boy.
The negative feeling in me is getting over...
The negative feeling in me is getting over...
Tuesday, 18 October 2011
So home, so cosy
My son has stirred up my feeling about HOME with his description of the discourse, as pure and truthful as it was happening, of the scene, the affection, participants (including human and non-human) and their inner feeling. If going further, the statement of my son can bring you to his motherland, where dinner with all family members under a roof of torrential rain outside is cherished, where tôm rim (caramelised prawn) and steamy rice on the table are treasured when winter is in its full swing, and where no other thing on earth can pay for a cosy time of parents and children around a meal of dishes made out of love.
Family meals in our country are valued in their own way. Of no expensive or rare food, a Hue family meal is memorable for its affection steaming in each plate. It is the food shopping basket of mum in the rain, the young fresh greeny tips of kumara plants or water spinach, the fresh water fish caught in a flood, steamed fish paste in harsh days, all of those seasonal and local stuffs, with mum's hand, would become something warming up all the family's hearts in winter. Yes, winter, simply because it is a season of coldness, and thus of family gathering and extra care family members give to each other.
No heart-made dishes would ever be born outside the roof of family I believe.
Photo note (from top to bottom)
1. Tôm kho rim (Caramelised prawn)
2. Gỏi rau muống (prawn + raw water spinach)
3. Giá trộn (Mung bean sprout salad)
Monday, 17 October 2011
Going veggie and beyond
In Vietnam, vegetarian food is prepared very sophisticatedly and time consumingly. Between a non-veggie and a veggie dish, most people will choose to make the former for its convenience. This implies the fact in our country making a good veggie dish is always harder than making a good non-veggie one. As a cook, I have been raised out of that perception and reality. I therefore believed vegetarian food was something special and upper-classed in terms of its spirit behind the food. I also therefore held appreciation towards those vegans.
It is not until recently that my veggie perception goes through a transformation. By going veggie, I am aiming to going green and clean. Simply speaking, it is all about vegetables and cleanness in its all senses. I try not to use lots of spices, particularly those spices which may transform the aroma and taste of vegetables. If possible, I try to serve raw vegetables or make them stay fresh over tender fire. In terms of nutrition, strong belief and evidence about healthy food are always held towards raw and fresh vegetables.
Photo note (from top to bottom):
1. Bánh bột lọc chay (vegan tapioca cake with mung bean paste filling)
2. Sauteed mushroom and green round bean, mixed with raw snow pea sprouts
3. Rolled and fried egg and red cabbage, served with lectuce
Wednesday, 12 October 2011
Upon "My kitchen rules"
About new recipes, food materials, cooking styles and principles, the strict nature of a contest, and food styling, this TV programme has been intriguing me to move to the world of culinary art. Above all of the stuffs I learn from My kitchen rules, food styling stays longest and leaves the deepest footprint in my cooking learning world.
I am not learning to be a food stylist at the moment, nor is it my intention. It is culture, belief, and human life behind food styling that provokes my thinking and inspires me.

Preparing this dish has been the first time I executed food styling, with which I was pretty unsure if my dish could be labelled, but at least because I was having these two exotic words in my mind when preparing the dish and photographing it. After several looks at the photo, I believe it is not any attractive to those who are fans of thịt xíu (the caramelised belly pork), simply because caramelised pork is not normally served this way in our culture! That is my first lesson of food styling.

This photo came into being with an obsession of food styling. I deliberately use these two exotic words over and over again because I am obsessed by them. If it is, this photo can only look attractive because of its colours. Again, this is not a popular way of serving spring rolls in its motherland. I did not intend to translate our culture, particularly that of serving this kind of food through this photo, but I failed.
I decided to put action to my food, in the view to make it more inviting and lively. This kumara sweet soup is not lying untouched on the table. Layers of the soup reveal its texture, aroma, and real perception of its taste. What will hit your tastebud is a combination of solid and liquid, chunks and bits, sweetness and fattiness, and a multilayer of sweetness. With those, this photo speaks much to its viewer, the way an action speaks. I began to realise something...
When my thinking has grown, I began to ponder how to build a connection with food through the photograph. A food looking inviting also means a food in company, a food going hand in hand with you through some kind of exploration, and a food coming in some form of cherishment. Again, it is the translation of culture, customs and habits, and the life style.
Eventually, it is something about a healthy and balanced life when it comes to why food is born. If it is raising us, cultivating us, and beautifying our life, I believe food should be reproduced the way it will reveal multiple layers of meaning, which is my keen desire.
I am not learning to be a food stylist at the moment, nor is it my intention. It is culture, belief, and human life behind food styling that provokes my thinking and inspires me.
Preparing this dish has been the first time I executed food styling, with which I was pretty unsure if my dish could be labelled, but at least because I was having these two exotic words in my mind when preparing the dish and photographing it. After several looks at the photo, I believe it is not any attractive to those who are fans of thịt xíu (the caramelised belly pork), simply because caramelised pork is not normally served this way in our culture! That is my first lesson of food styling.
This photo came into being with an obsession of food styling. I deliberately use these two exotic words over and over again because I am obsessed by them. If it is, this photo can only look attractive because of its colours. Again, this is not a popular way of serving spring rolls in its motherland. I did not intend to translate our culture, particularly that of serving this kind of food through this photo, but I failed.
Eventually, it is something about a healthy and balanced life when it comes to why food is born. If it is raising us, cultivating us, and beautifying our life, I believe food should be reproduced the way it will reveal multiple layers of meaning, which is my keen desire.
Sunday, 9 October 2011
Habits blind a cook's eyes
When it comes to Hue food, I found myself conservative. I believed good food must be original and authentic. I enjoy the fact that I have to work really hard to make my food authentic and truly Hue-styled. The enjoyment indeed comes from my hard seeking for authentic materials, choosing servingware, styling food, and adorably gazing the product.
When it comes to cookery cultivation, I have found myself in the line of openness. I want to be and am open to acquiring this art to my fullest. It is this 'wanting' many times moves me forward and backward in cooking and evaluating food. Chè bắp Huế (Hue styled sweet corn sweet soup) can be a brilliant example for this point.

Due to its being starchy, Hue sweet corn is often made to give (slightly) thick sweet soup. This version used to grow my tastebud up and embrace my enjoyment, at least until I encountered another breed of sweet corn in NZ. It is not starchy at all. Each slice comes on its own. It is something quite different from its 'name sake' in Hue. It is therefore a puzzle for me. Whether to keep my embraced version or to change? Why do i have to keep the authenticity while I cannot bring about a real one? Honestly, I did try by putting some flour in my soup, and it turned out not to be worthy to dive my tastebud in. Why can't corn sweet soup be as light as other kinds of sweet soups?

I now hold the belief that the light version can be something worthy to appreciate new dimensions in gastronomy.
When it comes to cookery cultivation, I have found myself in the line of openness. I want to be and am open to acquiring this art to my fullest. It is this 'wanting' many times moves me forward and backward in cooking and evaluating food. Chè bắp Huế (Hue styled sweet corn sweet soup) can be a brilliant example for this point.
Due to its being starchy, Hue sweet corn is often made to give (slightly) thick sweet soup. This version used to grow my tastebud up and embrace my enjoyment, at least until I encountered another breed of sweet corn in NZ. It is not starchy at all. Each slice comes on its own. It is something quite different from its 'name sake' in Hue. It is therefore a puzzle for me. Whether to keep my embraced version or to change? Why do i have to keep the authenticity while I cannot bring about a real one? Honestly, I did try by putting some flour in my soup, and it turned out not to be worthy to dive my tastebud in. Why can't corn sweet soup be as light as other kinds of sweet soups?
I now hold the belief that the light version can be something worthy to appreciate new dimensions in gastronomy.
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